Landscape photography is kind of like gambling as it is so dependent on the weather.
You take as many precautions as you can, Do all of your research to get the best image and the weather can change on you in an instant leading to little to nothing to show for your hard work.
For me I have always looked at the pursuit of great landscape image like a duel between the Yankees and the Red Sox. While the games themselves are always filled with excitement they can bring you to these incredible emotional highs or lows.
Landscape photography is no different here in Vermont where we are always subjected to quickly changing conditions and challenging lighting scenarios. The real trick is how to overcome so-so conditions and pull a beautiful image out of what would otherwise be boring.
Can boring really be beautiful?
I have been through this scenario a thousand times shooting landscapes where you roll up to your intended composition and the sky just totally craps out on you leaving you with some decisions to make. Is there really nothing to shoot at the location? Do you leave? Do you continue on as a scouting mission? In the image that I captured above there were a few elements that drew me and made me want to stay versus throwing in the towel. Who wants to do that when you can employ all of your creative powers to shoot what others may dismiss….
The color palette- While the clouds crapped out on me the haze in the background sky caused the rising sun to create a lot of pink and purple hues in the sky. The sky may not be as dramatic without some big, puffy clouds in the background there certainly was some really interesting color.
The thin layer of Spring ice- Due to the air temperature while I was shooting there was a very thin sheen of ice which was covering the lake. The ice was reflecting all of the awesome color in the sky back up into the scene surrounding everything with this wonderful, purple color.
The weathered look on the barge poles- Normally during the summer season the area here is covered with boats making this image impossible except in the Winter time. These wooden poles take a lot of weather and abuse over the years but they have this time tested quality and weathered appearance that i did not want to pass up.
The elements in the background- There is almost an s curve in this image as your eyes move from the poles to the lighthouse and then on to the snow covered mountains beyond. The wooden poles draw you in front and center but the rest of the elements tell the story…..The lighthouse and breakwater are surrounded by water well above normal levels and you can clearly tell that Spring has come as the snow is melting on the mountain tops beyond.
Cropping- By cropping tight on the poles I got rid of any distracting elements including just a hint of clouds in the sky. Much of the scene here was on the boring side but the tight crop told the story of the image with just the right balance of elements better than a wide shot of really nothing in the sky. The purple colors act as a backdrop making the foreground really pronounced.
So how do we draw the viewer in?
There are a number of ways to move the viewer through the image but when it comes to challenging conditions it becomes much harder. This is a time when all of our time spent honing our craft comes into play as well as our artistic vision. You have to ask yourself in this situation how do I make something out of nothing? What is the best way to tell my story? In the image above I used a number of techniques to bring home a decent image including….
- Composition and the s curve- The s curve is a classic composition technique that is very effective for leading your viewer through your image. In my case here while not a typical s curve the ridges of ice just behind the mooring poles do form an s curve leading your eye from the poles to the lighthouse and then over to the mountains.
- Tight cropping- The original capture is not much different from this final image with the exception of a slight crop on the top and bottom of the image. The tight framing allowed me to get just three elements into the frame that tied together to the location while avoiding anything that made the image too busy.
- The change in seasons- Suggested in the image is the change from Winter into Spring. Here in New England this is a welcome change and the image includes ice, snow covered mountains, thin lake ice, and higher than normal lake water due to snow melt which is visible at the lighthouse and breakwater.
- Color- Color is always an effective way to draw in our viewers and here the image is dominated by shades of purple. The poles, lighthouse and mountains really stand out in all of the purple giving the image a lot of contrast.
- Dominate foreground- Prominent foregrounds are the start of our story in the image and begin to lead your viewer through it. Here the barge poles split the frame in half but the curving lines of the ice lead you from the bottom of the image to the poles then on to the lighthouse and the mountains in the background. The foreground puts the viewer in a specific place and they are not left wondering where they are.
- Contrast between elements- In my image there is some really nice contrast between all of the main elements in the image. While the wooden poles are somewhat dark in the foreground the lighthouse and mountains really standout as the foreground fades from dark to light in the background. The colors are subtly different in the lighting transition which adds a bit of drama and the white elements in the frame really stand out.
Conditions always change but your artistic vision does not
Weather and lighting conditions are constantly changing and something we will always have to contend with when shooting landscapes. There will be times and I can attest to this that you will simply get skunked when it comes to landscape work. While we are always free to walk away I personally love the challenge of finding an image in challenging conditions. It sharpens your artistic vision, Frees you creatively and when the time comes to make images in stellar light you will be ready.