A Vermont landscape off the beaten path in Groton State Forest and Lanesboro, Vermont

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The wondering photographer

Lanesboro, Vermont is a tiny speck of a town on a Vermont state map but it sits smack dab in the middle of some of the best foliage viewing the state has to offer.

Route 232 travels through the Groton State forest and on a side dirt road with a tiny sign for the town of Lanesboro you will come across this scene. It’s a blink and you’ll miss it location that’s between Groton, Marshfield and Plainfield.

During the Fall foliage season many photography spots can be overwhelmed with visitors and if you feel adventurous and want to get lost then scenes like this one can be found.

I had passed by this scene many times and on this occasion what really grabbed my eye was the wonderful color in the grasses in this open field along with the changing Autumn color in the background.

Tips for getting yourself lost on Vermont’s back roads

The road this location is near is an old railway bed that has since been converted into a dirt road and recreation path which connects to two very picturesque ponds and some of the more stunning foliage during  peak color of the Autumn season.

With more dirt roads than paved ones you can be assured that there will be a photography adventure around just about any corner in the state. With over 26 years of experience traversing the state’s roads I have come up with some tips for traveling and finding unique locations in Vermont.

  1. Bring a map – Seriously, Google Maps is good but what it won’t tell you is there are roads here that get closed or don’t allow certain types of vehicles or that its mud season. I would highly recommend having a set of paper maps as Vermont’s roads at times can be labeled differently on a map then they are on the road signs. Hell there are still places in Vermont that still use wooden road signs and those are often worn away or illegible. Have maps and know how to navigate, Don’t rely on Google Maps alone.
  2. Don’t be afraid to stray off a main road – Often times the side roads will offer up some really stunning imagery and while not noticeable at first will connect with main roads that can get you back into familiar territory. Most side roads in Vermont can be a little convoluted and can twist you around but most will make giant loops or connect to other roads to get you back onto a main road.
  3. Avoid mud season – This one is a no brainer but that period of time after winter ends but before spring officially starts can play havoc on vehicles. The mud gets deep and it likes to suck in cars or create ruts that are just impossible to navigate around. I have driven on many roads during this season and it just really isn’t worth it. Getting stuck in the middle of nowhere is a pretty unpleasant experience.
  4. Have a rugged vehicle – This one goes along with number three but have a tough vehicle if your going to get off the beaten path. A truck, A car with all wheel drive or four wheel drive, Anything that will not be hampered buy road conditions. I don’t have a truck but I do have awd and it will save your bacon on a muddy or washboard, rutted road.
  5. Not all landscapes will be sweeping vistas – Look for the smaller more intimate scenes as sometimes that grand Vermont landscape can be illusive depending on your location. The northern part of the state tends to be more mountainous with forests and trees tightly packed together and you have to climb above the treeline while the Southern sections are more like flat, rolling hill farmland landscapes. Forests will have ponds with tight forest cover and hard to access areas but you can also find abandoned rock quarries or farms. The smaller scenes will let you hone in on a specific element like my image above and the sky reflection in the small stream.
  6. Look for multiple places to shoot in or around one central location – By having one main shooting location and several side locations you can up your chances of coming home with a keeper. It can take a lot of drive time to reach some of the more scenic places in Vermont and you don’t want to waste your time while out. Have a plan a, b, c, and d around where your main location is so you can maximize your shooting potential.

Trusting your vision

I drive right by today’s image but as you progress as a photographer you learn to trust your eyes and your brain when it says “Stop!” That’s preciously what happened to me and I am glad that I listened to my inner artist otherwise I would have missed this shot.

This small stream here is right along the side of the road and I noticed first that it made a nice leading line into the image. The color on the field grasses was quite striking as well as the changing foliage in the background trees. Grasses like this are a common site here and their color changes throughout the foliage season. The reflection in the water provides a nice focal point to draw you in and to follow through the rest of the image. Here is my original image….

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Here is my original Camera Raw image file and as you can see the sky is a bit bland and the highlights on the grass wash out their detail.

My original shot was off a bit so this one would need some edits to make it really shine. Cropping to center the stream reflection, The highlights, The sky and coaxing some more detail out of the water reflection were all that was needed to really make this one shine. I used the HSL panel to make the colors really pop and add some drama to them.

Getting off the main roads and opening yourself up to the adventure really isn’t so bad is it?

Let the adventure be your guide

Vermont pretty much has it all in terms of what you can find for landscape imagery. All of it really is there if your willing to venture away from the crowds and really explore the state.

I do a great deal of planning when I shoot my landscapes but there as always room to roam the unique back roads that we have here. While we are sadly losing a lot of our rich farming traditions and the industrial production of years past, There still is a lot of vintage charm to find.

Get out there, Zig when you should zag and find your next great landscape image.

Bear Pond on Mount Mansfield in Stowe, Vermont in black and white

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Hiking to a remote Vermont location

I knew about the existence of Bear Pond for a number of years and finally I was able to visit this remote location.

The pond sits in the spine of the green Mountains on Mount Mansfield and requires a roughly four-hour hike from the base to reach. Bear Pond can be visited by a trail that is no longer maintained so the trek in to it is not for the faint of heart.

It’s a treacherous scramble over moss-covered boulders and down some steep slopes so a partner is essential.

While much more remote than Lake of the Clouds if you can find someone who has been there to use as a guide your efforts will be rewarded. You won’t meet another person there but you will certainly find enough photographic diversity to keep you busy while you are there.

How do we craft an image in one shot with multiple points of depth and focus?

The trick with this image is to make it sharp and in focus from front to back. I chose this particular composition because there was a lot of depth to it with multiple points of interest for the eyes and it really told a story of the location. It showed remoteness and unspoiled beauty but getting it all into sharp focus would be my challenge.

This image has a flow to it where you move from the foreground grass and dead trees to the middle ground logs and finally to the background and clouds in the sky.  First I needed to identify  my areas of concern and how best to get critical focus where I wanted it to be and my best course of action would be to make multiple exposures at various focus points within the image. This way I could choose the best, sharpest images and blend them together manually ensuring that the image is sharp from front to back.

My concerns about the image

  • The foreground – These alpine grasses and petrified trees make for a really interesting foreground but if I place a focus point there specifically it will throw a good portion of the image out of focus. I really wanted this area of the image to be there as I think it really leads you into the rest of the photograph. The textures and shapes are fantastic but I do not want to crop out this section.
  • The middle ground –This area is problematic as there are three different petrified trees all on different planes within the image. If I focus here the fore and middle ground will be sharp but the background will be soft. That is unacceptable to me  as I want sharpness throughout…..I felt anything less would be too distracting for the viewer.
  • The background – If we place our focus here then the fore and middle ground become much to soft and not what I want for my image. Due to the lack of clouds on my visit I want the ones that did happen to float by to be nice and sharp as well as being able to discern what is in the background. I want to see everything in a landscape and my eyes in particular like when things are nice and sharp.
  • Multiple depths in the image – When your dealing with multiple depths for instance where all of the different logs are sitting, It can be difficult to place where you want to focus in the image. You will have to make a compromise somewhere and usually that means something will not be sharp. The depth in the middle ground is my biggest problem here and focus blending will be my choice to overcome it.
  • Wind movement – While the water in the pond was very still creating a mirror reflection there was a very slight breeze blowing across the grass in the foreground. I had to wait for just the right moment for the grass to settle down in order to get my shots without any movement in the foreground. This would make blending the images manually in Photoshop much easier.
  • Interest in the sky – While not a huge concern on the day that I was at this pond their were clear blue skies so I had to make a choice to exclude a good deal of the sky from the composition. I was fortunate that while I was composing some clouds wandered by into the frame and I was able to add some interesting shapes from the sky into the shot. The clouds added shape and form to the reflections in the water and added some calm into the scene.

A three image exposure and focus blend

Generally when I shoot images of this type I make a series of test shots for my exposure values. Sometimes one exposure will work for the entire scene and other times I need to make separate exposures for the highlights and shadows.

Once I have my composition set I will make a series of exposures starting at my bottom focus point and working my way up through all of the middle focus points in a straight line. Generally this is enough to cover sharpness throughout the image but here and there you will always have to make adjustments.

In this case I made a total of three exposures with a focus point set in the foreground, One for the background and a last one for the middle of the pond and the three logs.

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My first exposure with no edits that was made for the foreground grasses and logs.
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My second exposure with no edits that I shot for focus in the middle ground. My focus point was right on the log in the middle of the pond which kept the entire middle portion of the image very sharp.
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The third image I shot in my series for exposure and for focus on the distant background. Notice the dark foreground but the lighter background.

As you can see in the progression of the images the first two are exactly the same with the exception of where I placed my focus point. These two images I used to blend together the fore and middle ground into one image and the last image was blended in for the focus and exposure in the background.

These images will always need some post processing work in order to blend everything into a smooth, coherent image. I try not to shoot my exposures so far apart that you have to push the processing to the extreme, I just want to process enough to make the lighting look natural and how it was when I shot the scene.

The final look of the image

Once I import all of the images into my computer I always first do the blending and then as my final step I will edit the combined image. I find that it’s easier to do it that way and match the exposure them it is to edit all of them separately and then combine them. In a series of three images like this one or if there are several images I will always break it up into two image chunks so I don’t get lost in the editing process. Most of the images will be so similar that it’s very easy to forget which one you are working on.

Here I took the fore and middle ground images and combined them and once I was happy with the blend I would add in the final background shot and blend that in as well. Especially in this particular shot there are s lot of elements so there was quite a bit of brushwork along with my usual gradient process to get everything looking just the way I wanted to. The final image after processing is what the scene was like and the lighting is accurate. While I don’t always do these exposure blends as at times it’s not necessary but it is a tool that we can utilize.  In  this image we have an example of how to get multiple depths and focus points into one harmonious photograph.

 

A Mount Mansfield reflection at the Lake of the Clouds in Stowe,Vermont

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Summit of Mount Mansfield and reflection with the shoreline at Lake of the clouds.

Hiking to a majestic Vermont photography location

 Lake Of The Clouds is a glacial tarn located on Mount Mansfield in the spine of the Green Mountains.

A glacial tarn is a glacial lake in a circular shape formed by glacial scouring or movement during the retreat of glacial ice.

This location was on my list to visit for many years and finally in 2013 I was able to make the hike and shoot one of Vermont’s most wonderful landscapes.

The hike to the “Chin” or summit of Mount Mansfield takes about three hours and for this image I started hiking up at 3 a.m. to catch the sunrise. I knew ultimately I would probably miss the sunrise by a few minutes and on the day I made this hike there just was no cloud cover whatsoever.

In the end I was ok with the conditions that I had to shoot under as being in the location without another soul around and taking in the silence and majesty of it all was reward enough for me.

Sunrise light and difficult exposures

The scene above on the day that I visited presented a number of challenges. As with any landscape shoot generally they are entirely dependent on the weather and this sunrise was no exception. I am not the fastest hiker when I have 20 plus pounds of camera gear on my back so I missed sunrise by a few minutes but with no cloud cover any color was non-existent from my vantage point. The difficulties in getting this image included…..

  1. The weather- As I mentioned while a little on the cool side for an early morning hike the clouds had dissipated overnight leaving me without much of anything in the sky to anchor the composition. This is the curse of a landscape photographer but not an insurmountable challenge by any means.
  2. The position of the Sun- The suns position was still very low in the sky and being that I was on Vermont’s highest peak meant that parts of the image would be in deep shadow and other parts would be in bright sun. My best course of action was to use neutral density filters, a polarizing filter and to shoot two images for blending later on. It was just really close to impossible to capture the range of light here in one image.
  3. The fragile landscape- The area here is surrounded with fragile and rare vegetation and as such I tread very lightly and try not to disturb the area. My compositions were limited but I knew I wanted a shot of the mountain summit reflecting in the water. In the end I chose this composition as it was a good compromise of foreground interest, giving the viewer a sense of place all while not including much of the sky and with no impact to the environment.
  4. The sky- No clouds meant that I would have to try and include as little of the sky into my composition as possible. I wanted enough to give some scale and to show the brilliant blue color but not so much that the image looked empty. There are times when you can creatively use a blue sky in an image but my personal preference is to not include it in this situation as it wouldn’t add anything to the final image.

How I shot my landscape for an exposure blended image

Exposure blending images can be very easy or very difficult depending on the composition. This situation warranted shooting two images but the difficulty came in combining them as trees and driftwood on the left side extended into the horizon line making a simple composition from the horizon impossible. Essentially I used an angled gradient, lots of brushwork and a lot of corrections in post to get the image right where I wanted it.

The first image here that I shot was made for the shadows. Because of the suns position the shadows were hard to bring up in a single exposure and as you can see the highlights are quite extreme. While not blown out they did allow me some wiggle room for my exposure blend……

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My second image was made to control the highlights which were on the bright side with no cloud cover. Imagine a line from the top left corner of the image to the bottom right corner of the image and this is how I made my blend….Blending the best parts of the highlights and shadows along that imaginary line.

This is one of the reasons why this blend was on the difficult side as generally I try to have a clear horizon to make the stitching easier. In this image because of the composition I could not use a straight up and down gradient. The gradient to blend the images would have to be at an angle and this meant some more complicated brushwork would be needed. The highlight image exposure was pretty accurate to the conditions…..

 

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You can really see the difference here in this image for the highlights and how much shadow there was in the left side compared to the right. With no easy way to get a single capture I had to shoot two and correct the lighting for both and try to match them as close as possible to the original scene. Both of these files are original, straight out of camera files that did need a lot of post processing. It really is amazing that camera raw files have such a tremendous amount of information that can be pushed to create a striking image.

Work with what you are given

After all is said and done you often times need to just work with whatever conditions present themselves.

Knowing that I would not be back to this location for a long time I made the best choices I could to come home with something exceptional.

With a three a.m. start time and a three hour hike up coming away with no images was not an option.

Words cannot describe what it feels like to be in this location early in the morning with no people and not much in the way of sounds. It’s one of those Vermont locations that can be a crap shoot in terms of weather but the experience of being there and seeing the peak of Mount Mansfield rising above the water just cannot be missed.

 

Phoenix Rising. Charlotte Town Beach. Charlotte, Vermont.

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Sunset over Lake Champlain and the Charlotte Town Beach in Charlotte, Vermont

I think as photographers we all want to make that one image, That one money shot that will define us as artists and keep people talking. A challenge that I think gets overlooked all to often is making the everyday, the mundane look extraordinary especially in a photograph. With the Winter sun setting so far south right now here in Vermont it can be difficult from where I live to shoot a decent sunset over Lake Champlain. In the first week of January I made a quick trip south along the lake to see what I could find. This day was particularly grey and uninviting for photography but my photography sixth sense kicked in when I noticed some small breaks in the cloud cover. I had a feeling that some great light was going to come my way during this sunset and I found my way to the Charlotte Town Beach in Charlotte, Vermont.

This beach is a small one 15 to 20 minutes away from where I live in Burlington and this was my first visit to the location. The beach is more of a rocky one than a sandy one and at first glance you wouldn’t think that there would be much to shoot. After investigating compositions for a while and getting a feel for the location I started to really notice some nice lines and curves in the sand along the shoreline. As I was shooting in the opposite direction to this image I was keeping a watchful eye on the sky and sure enough the clouds started to break a bit as the sun was setting. I turned my attention to this tree which looks south down Lake Champlain and for about 5 minutes the sky opened up with some pretty amazing color!

A very small window of sky and color opened up framing this small tree that sits on one end of the beach. The suns position really made the oranges and pinks pop and I really couldn’t believe it. Winters can be quite harsh here and this Winter we have seen very little in the way of snowfall so getting to witness this was quite a boost to my spirits! With very little time I was frantically running around on this rocky beach and settled on this composition. I really didn’t have much time and after shooting several frames this beautiful light and clouds got swallowed up by more clouds dashing this great sunset. There hasn’t been many times that I have been made speechless as a photographer but this was one of them.

Off The Path – Kettle Pond. Groton State Forest. Groton, Vermont.

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Driftwood and Autumn foliage at Kettle Pond in Groton, Vermont.

I made a couple of visits to Kettle Pond in Groton State Forest this year and it is a pretty stellar location for landscape photography! The weather and lighting were not as good as I had hoped for but I made do with what I had to work with. You wouldn’t know it from the road that this location was even there as you pull into a small, unassuming dirt parking lot with a small trail leading to the pond. The trail is a small portage to a boat launch but turns into a three-mile hike around the pond for the adventurous photographer.

I am always up for finding something new to shoot so when I got to the pond on my first visit instead of walking the trails I wandered off trail just a bit and found this small outlet for the pond loaded with really old driftwood. I have seen a lot of photographs of this pond but never any from this spot. To me there was opportunity as there were a ton of decent compositions and angles here. Textures, shapes, lines and form all came together here and although my time was limited both times I shot this panorama to give the spot a sense of scale.

I stitched 15 images in Photoshop cc to make the final panorama which came out to be 4469 x 11997 at 306.82 mb. I did some basic tweaks in lightroom but no major editing was needed to bring out all the best in this shot. I got skunked with no clouds when I made this panorama but I enjoyed the process and the final image. The lines and texture of these old trees really drew me into the shot and I wanted to show how big the spot actually was.  I have not shot a ton of pano’s recently but for some reason I shot several during this Autumn’s foliage season and all of them came together nicely.

A Colorful Wave – Nichols Ledge. Cabot, Vermont

 

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Panoramic view of Peak Fall foliage from Nichols Ledge in Cabot, Vermont.

The Autumn foliage season we had here in Vermont for 2014 was spectacular! I had the chance to get out quite a bit to do some Autumn photography work and visit some locations that I had never been to before. On of those locations was Nichols Ledge which overlooks Nichols Pond in Cabot. Vermont. I had been waiting all of 2014 to visit the ledges due to nesting Peregrine Falcons so the short hike to this overlook was closed until August. Because it opened so late in the year I decided to wait until the Autumn color started to come in to visit and I am really glad that I did! Finding this location was quite an adventure for me but once I was there I was treated to quite a show.

Nichols Pond which sits off to the right edge of this image sits basically in the middle of some very undeveloped forest. The roads leading to it are dirt, confusing and looking at a map won’t tell you much on how to find the rock ledges that overlook the area. Once I found the trail head it is a short and steep 15 minute hike to an open rock ledge that overlooks the entire area around Cabot, Vermont. The day that I shot was very overcast with not much definition in the cloud cover but the foliage color was just phenomenal. I couldn’t have asked for a better view of Vermont’s foliage and this spot is hands down one of the best that I have visited for color viewing so far. This panorama originally covered the entire sweep of the valley here including Nichols Pond but a small tree has fallen over on the rock ledge making composition to get the entire pond into the frame very difficult.

Instead here I focused on the foliage and the ridge line leading away from the rock ledge that I was shooting from. This panorama consists of 13 images that were stitched in Photoshop and edited in Lightroom. I had to do a bit more processing on this one as the lighting conditions were so overcast the foreground ridge line was a bit darker than the rest of the mountain foliage. I was able to make this image right in the last few days of September when the foliage color was second to none. I worked with the lighting conditions and came away with a pretty nice image of the Fall season!

The Dome – Bailey Pond. Marshfield, Vermont.

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Bailey Pond in Marshfield, Vermont during Peak Autumn foliage.

I was excited to return to Bailey pond in Marshfield, Vermont after not coming here for several years. This pond was one of the first places that I traveled to when I first started to shoot digitally and my efforts on that occasion were less than stellar. The first time I was here it was during the Fall foliage season and the lighting was mixed. Nice cloud formations but the sun kept peeking in and out of the clouds making for difficult exposures. The one shot I got at that time was ok but I wanted to improve upon that effort. I am not sure why I have never been back to this spot until 2014 but the entire area is ripe for photography work.

The pond is located on an old railway bed that has since been turned into a dirt road and is used for recreation purposes. It stretches for a few miles in a remote area and it connects to Marshfield pond which is down the road from where I shot this image. On both occasions when I came here I had the entire area to myself and there was no shortage of compositions to find. I love the pond mostly for the perfectly dome shaped mountain which is at the back of the pond. It comes alive during the peak color of the season and I was lucky enough to time the season right and be here to shoot when the foliage looked it’s best!

I shot this panorama in Late afternoon with the sun slowly descending behind me. While it was during daylight hours I was lucky enough to get some really nice cloud formations during my shoot here. The image consists of 17 images merged in Photoshop and edited in Lightroom. After completion the TIFF file comes in at 4006×10899 at 249.86 mb! The file is huge but I was very pleased with how it came out..Total vindication for my first visit when I was not yet comfortable shooting landscapes let alone digitally!

* If you love this image prints can be purchased here!

Under the Super Moon- A Star Trail tutorial

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Ski lift tower illuminated by the super moon with star trails at Smugglers Notch ski resort. Jeffersonville, Vermont.

 

*Prints of this image can be purchased here!

Most people will tell you not to go out shooting star trails during the super moon or full moon due to the extremely bright light but I like to go against the grain. My schedule only allows me to shoot at certain times so if the conditions are good then I go no matter what. I had been thinking of this image for quite some time and finally the conditions presented themselves to make the shot only the super moon was out causing some really bright light in the night sky. You can however still do night photography during the super moon phases you just have to be a bit creative about what you shoot!

Circular star trails are achieved by pointing in a northerly direction at the North Star which you can see here at the center of the circles. The more North you point the more circular the pattern. As you move away from North the patterns will be less circular and more linear. I personally really like the circular pattern so when I am looking for compositions I try to point in a northerly direction. Generally as a rule of thumb for myself I always try to find static objects that don’t move simply because trees and other moving natural objects tend to sway and move even i the lightest of breezes. It’s simply a personal preference for me as I do not like the blur the wind causes but I never let that stop me from shooting a particular composition.

The full moon and the super moon causes some problems with the extreme bright light they produce in the sky. My simple trick to avoid this is to shoot in a northerly direction for two reasons…1. If you look North the sky will still be dark enough to shoot star trails regardless of the brightness of the moon when it is full 2. The full Moon will illuminate your foreground which allows for lower iso’s and eliminates the need for any light painting of the subject.  The Moon lit up the ski tower which allowed me to shoot at iso 400 versus 800 or above so the image file is much cleaner. Instead of not shooting at all and staying home I used what I was given to my advantage and got an image I had been thinking about for over a year!

The processing of these shots is really quite simple with Adobe Lightroom and Photoshop cc. There are a few other ways to do this but for me this is the simplest and easiest. I don’t do anything in Lightroom until after I have merged the files together…It’s easier to process one file than 150!

1. The first thing that I do is import the raw files into lightroom and then export the entire series into a separate folder on my computer as TIFF files. You can work with JPEG’s to speed up the process but I like to work on TIFF’s so I can edit the combined file later. TIFF files will take much longer to process but I have never had a problem doing 140 to 150 files in under ten minutes.

3. Open Photoshop CC and in the menu bar chose File-Browse in bridge- Then choose the folder you placed the series of images into. Select all by right clicking on the first image which should be your base image and the start of your star trail series.

4. Once all of your images are highlighted in Bridge choose Tools-Photoshop-Load files into Photoshop layers. Photoshop will place all of the images onto one canvas in their own separate layers. Here you will have to wait a few minutes depending on how many images/layers you have. If you do not have bridge then you would have to do this one image at a time. There are a few stacking programs out there to do this but since I am already paying for my Photoshop subscription I process this way.

5. Once all of the images are layered in Photoshop highlight and select all of the layers and then set the blending mode in the layers panel to lighten. Before your eyes the magic happens and the star trail will appear! The lighten mode will only blend in the lightest pixels which will be the stars. In a few convenient commands you can see the fruits of your labors in just a few minutes!

Still Waters

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Clouds with sunrise light over Lake Champlain from Oakledge Park in Burlington, Vermont.

*If you would like to purchase a copy of this image it can be found right here!

It is amazing how you can look at the sky one minute and say to yourself ” Damn not much is going to happen there for sunrise” and the next minute something magical happens. Such was the case early one morning when I was exploring some new compositions at Oakledge Park in Burlington, Vermont. I spend a great deal of time here as the park is very close to my home but it offers easy access to a wealth of compositions. I was looking for something I had not shot before when I came across this scene. The sky looked like it was just going to be a big wall of blue when this cloud started to develop just as the sun was rising above the treeline behind me!

This beach straddles a bike path that runs along the Burlington shoreline and this image is at one end of the beach. It is a small little area with a gnarly old tree and some reeds and at first glance wouldn’t look like there is much to shoot. The lake levels fluctuate throughout the year and they were on the low side when I shot this making the composition possible. The great part about shooting this area is that as the water levels change there are new shooting possibilities for an adventurous photographer. As this cloud formed and moved through the area it was kissed just at the right moment by the rising sun from behind me. The light was just beautiful the way it was highlighting the cloud and I was glad I was there to see it!

This is a composite image of two shots that I made for exposure and sharpness. The foreground was in some deep shadow and I really wanted to see the reeds and rocks so one exposure was made for this area while the second was made for the cloud and sky. I blended them together in Photoshop and did my final edits in Lightroom, Matching the tones together and doing some basic edits. The relative stillness of the water added a tranquil feel to this image the mood in the image was just right for a morning shot.

Walking On Giants

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View of “The Chin” on the Mount Mansfield ridge line with building storm clouds.

I had a chance recently to hike Mount Mansfield from the Stowe, Vermont side and spend an overnight shooting the sunset, the stars and milky way at night and then the sunrise in the morning. I usually only get the chance to do one or two hikes like this during the year so I jumped at the chance to do this one. I have hiked on or around this mountain many times over the years but this was my first time going up the toll road on the Stowe side and hiking up the ridge line from the visitors center. There are two ends to the ridge line one of which is called “The Nose” and at the other end is “The Chin.”

The Nose which is located next to the small visitors center unfortunately is no longer accessible for hiking as there are several cell towers located on it. You can still shoot around the area but hiking isn’t allowed. The Chin is Mount Mansfield’s other distinctive feature and sits at the other end and the entire ridge line forms a very distinctive shape that is well-known here in Vermont. This entire area is a black and white photographers dream providing a wealth of compositions no matter where you look.  While the color file looks great I felt this image really would be a stunner in black and white. This was one of my first shots of the evening a few hours before sunset and I saw the clouds building up over the Chin.

There really wasn’t much work to be done to this file to get it ready at all. I did a very slight crop on the top left corner because there was a small bit of blue sky that I wanted to minimize slightly. I did my usual tweaks for exposure, clarity, contrast, etc and some lens correction because the Canon 17-40mm has distortion at every focal length. The black and white conversion was done in Silver Efex Pro 2 and here I toned down the highlights a bit because the setting sun was shining into the trees on this face. The clouds building behind the mountain is what caught my eye on this one. The mountain top was a great foreground to them!